Soda Jerk Presents:
In Flames
Trivium, Veil of Maya, Kyng
Saturday, January 21
Doors: 6:30 pm / Show: 7:30 pm
Emo's East
$24.00 - $27.00
Tickets Available at the Door
This event is all ages
http://www.emosaustin.com/event/73339/
Share This Event
In Flames
It was the year 1990, Jesper decided to take leave of the band Ceremonial Oath, that he was currently in, together with Anders Fridén and Anders Iwers (Tiamat)
He wanted to make music in a different direction, and he teamed up with Johan Larsson and Glenn Ljungström to form IN FLAMES. The gang made a demo and shipped it off to Wrong Again records in order to get a record-deal, which they did. The owner of the company enjoyed the music so much that he immediately gave them a deal over the phone, as they rang him up one night. The next day, they sat down and wrote the album Lunar Strain, which was released some time later, and became a big underground success. They had some "in and out members" , and borrowed some from different bands. People that have been a part of IN FLAMES since the beginning, are Mikael Stanne and Anders Jivarp (Dark Tranquillity), Anders Iwers (Tiamat), Henke Forss (Dawn), Daniel Erlandsson (Eucharist, Arch Enemy), and a few more. The band then released a mini-CD called Subterranean, that became the "breaker" for IN FLAMES, in terms of getting out off the underground scene, that is, and led them to get a license deal with German company Nuclear Blast for the next record, and they have been there since then. After some time, the boys were getting tired of constantly borrowing people in order to make a record, or do a decent live show, and they asked Anders Fridén and Björn Gelotte to join the band, on vocals and drums, and they accepted. IN FLAMES were for the first time a band with a real line up.
They recorded and released yet another record . The Jester Race, which became a huge success, worldwide, and the band started to get some fantastic attention all over Europe, and in Japan, where they were licensed to Toy´s Factory. They went on a festival tour together with Samael, Grip inc. And Kreator - this was the first big thing that happened to them, but definitely not the last. Some gigs here and there over the next year, led to both Johan and Glenn feeling that they had to make a choice where their priorities were , and sadly, they choose not be a part of IN FLAMES any more. They both announced, unexpectedly after the recording of Whoracle, that they were leaving, and Björn, Jesper and Anders were left with a finished record and half a band.
Luckily they were good friends with Peter Iwers and Niklas Engelin, who both happened to play bass and guitar, and they filled in at the end of the recordings, to do a mini-tour with Dimmu Borgir. This worked out fine and the two gentlemen were asked to stay in the band permanently, and so they did. Together the group continued onto a successful tour in Europeand an amazing week in Japan, where they did their first two shows. Japan welcomed the Swedes with warm arms, and they had an amazing experience. As they return to Sweden, Niklas leaves the band, due to some different opinions, and the fact that he wanted to focus on Gardenian, his other band. This is the biggest turning point for IN FLAMES, as they decide to switch Björn from drums to guitar, (being a guitar player originally), and recruit Daniel Svensson ( Sacrilige) on Drums. This works out wonderful, and they record COLONY, the biggest success so far.
The Colonization takes them around the world, to Europe, USA and Japan, and this tour is an amazing experience for IN FLAMES, that finally receives the attention they´ve been waiting for. As they play full houses almost everywhere, the party goes on for a few months, and the response is excellent all over the world.
In August of 2000, after a few years of successful touring , the release of Clayman is a fact, after spending 3 months in the studio. This record spins off really well, and the sales are overwhelming and it knocks out the previous record sales in a few months.
After doing festivals with Dream Theater, Slipknot, Testament, Methods of mayhem, etc, a world tour was to expect. In Flames aimed for Japan and Europe, which was squeezed in between 2 American tours. This was the same round as last year, only this time bigger places, more people and more material. In Japan, Jesper received an award from BURRN! As the number 1 songwriter of the year. The tours were a huge success once again. Peter Iwers did not join them on all of these tours as he had a new arrival back home, that he stayed home with instead, a baby girl, but he joined in for the Scandinavian and Japan dates, and was temporarily replaced by Dick Löwgren from Armageddon for the other tours. In the year 2000, approximately 150 shows were performed by In Flames , and then a well deserved vacation was taken by the members. 2001, Peter is back and the band does a few single shows in Sweden, including a headline gig in Gothenburg, which was featured in 4 television channels, and aired live on the radio.
Charts this year were very high, including #4 in Japan, both group and record, # 3 in Canada´s greatest metal mag- Brave words and Bloody Knuckles, # 1 in Metal Maniacs, and # 17 on the official Swedish charts, to name a few.
A video is shot for Only for the Weak, and the band went on a mini tour in Europe, where they played 13 shows in front of 20 000 people, needless to say, it was a huge success.
Next: summer festivals, including Wacken Open Air, Rock Machina to name a few, then the release of a live album : The Tokyo Showdown, in August, before heading over to the US for another tour.
What next? well, another record was made, this time at a new location with a new producer: Dug-Out studios with Daniel Bergstrand. The band wanted to go elsewhere and try on a different studio and producer. Reroute To Remain was produced, and the the result was amazing. More touring, headline spins, support spins were done. Including raveling with the likes of Slipknot, Mudvayne, Soulfly and Slayer, that gave them the possibility to share their music with a different audience! Two headline spins in the US, one in Europe, festivals, including replacing Linkin park at Sweden's biggest festival: Hultsfred.
The day after that show they were offered to do a support slot for Metallica in Madrid, which was a huge success, playing in front of 30.000 people, making it the biggest show so far , that was not a festival.
The making of soundtrack to your escape started in may 2003 when they rented a small house in Denmark to do pre-production. The idea to do this came very natural as they had started working like this on the last record, but this time they wanted to go even further away from Sweden, to prevent any kinds of distractions. The result was 11 songs, and then two more followed as they went into another recording process, although this time they moved all their gear and Daniel Bergstrands studio equipment into a larger house in Denmark to do the recording ina much more relaxed atmosphere. Only the druns where recorded at Dug-Out as the previous record, but the producers were the same: Daniel Bergstrand and Örjan Örnkloo.. which brings us up to date, where a large tour is on it´s way, taking the band once again all over the world, trying to spread the In Flames word around !
Today´s line-up is:
Björn Gelotte - Guitars
Daniel Svensson - Drums
Peter Iwers - Bassguitar
Jesper Strömblad - Guitars
Anders Fridén - Vocals
He wanted to make music in a different direction, and he teamed up with Johan Larsson and Glenn Ljungström to form IN FLAMES. The gang made a demo and shipped it off to Wrong Again records in order to get a record-deal, which they did. The owner of the company enjoyed the music so much that he immediately gave them a deal over the phone, as they rang him up one night. The next day, they sat down and wrote the album Lunar Strain, which was released some time later, and became a big underground success. They had some "in and out members" , and borrowed some from different bands. People that have been a part of IN FLAMES since the beginning, are Mikael Stanne and Anders Jivarp (Dark Tranquillity), Anders Iwers (Tiamat), Henke Forss (Dawn), Daniel Erlandsson (Eucharist, Arch Enemy), and a few more. The band then released a mini-CD called Subterranean, that became the "breaker" for IN FLAMES, in terms of getting out off the underground scene, that is, and led them to get a license deal with German company Nuclear Blast for the next record, and they have been there since then. After some time, the boys were getting tired of constantly borrowing people in order to make a record, or do a decent live show, and they asked Anders Fridén and Björn Gelotte to join the band, on vocals and drums, and they accepted. IN FLAMES were for the first time a band with a real line up.
They recorded and released yet another record . The Jester Race, which became a huge success, worldwide, and the band started to get some fantastic attention all over Europe, and in Japan, where they were licensed to Toy´s Factory. They went on a festival tour together with Samael, Grip inc. And Kreator - this was the first big thing that happened to them, but definitely not the last. Some gigs here and there over the next year, led to both Johan and Glenn feeling that they had to make a choice where their priorities were , and sadly, they choose not be a part of IN FLAMES any more. They both announced, unexpectedly after the recording of Whoracle, that they were leaving, and Björn, Jesper and Anders were left with a finished record and half a band.
Luckily they were good friends with Peter Iwers and Niklas Engelin, who both happened to play bass and guitar, and they filled in at the end of the recordings, to do a mini-tour with Dimmu Borgir. This worked out fine and the two gentlemen were asked to stay in the band permanently, and so they did. Together the group continued onto a successful tour in Europeand an amazing week in Japan, where they did their first two shows. Japan welcomed the Swedes with warm arms, and they had an amazing experience. As they return to Sweden, Niklas leaves the band, due to some different opinions, and the fact that he wanted to focus on Gardenian, his other band. This is the biggest turning point for IN FLAMES, as they decide to switch Björn from drums to guitar, (being a guitar player originally), and recruit Daniel Svensson ( Sacrilige) on Drums. This works out wonderful, and they record COLONY, the biggest success so far.
The Colonization takes them around the world, to Europe, USA and Japan, and this tour is an amazing experience for IN FLAMES, that finally receives the attention they´ve been waiting for. As they play full houses almost everywhere, the party goes on for a few months, and the response is excellent all over the world.
In August of 2000, after a few years of successful touring , the release of Clayman is a fact, after spending 3 months in the studio. This record spins off really well, and the sales are overwhelming and it knocks out the previous record sales in a few months.
After doing festivals with Dream Theater, Slipknot, Testament, Methods of mayhem, etc, a world tour was to expect. In Flames aimed for Japan and Europe, which was squeezed in between 2 American tours. This was the same round as last year, only this time bigger places, more people and more material. In Japan, Jesper received an award from BURRN! As the number 1 songwriter of the year. The tours were a huge success once again. Peter Iwers did not join them on all of these tours as he had a new arrival back home, that he stayed home with instead, a baby girl, but he joined in for the Scandinavian and Japan dates, and was temporarily replaced by Dick Löwgren from Armageddon for the other tours. In the year 2000, approximately 150 shows were performed by In Flames , and then a well deserved vacation was taken by the members. 2001, Peter is back and the band does a few single shows in Sweden, including a headline gig in Gothenburg, which was featured in 4 television channels, and aired live on the radio.
Charts this year were very high, including #4 in Japan, both group and record, # 3 in Canada´s greatest metal mag- Brave words and Bloody Knuckles, # 1 in Metal Maniacs, and # 17 on the official Swedish charts, to name a few.
A video is shot for Only for the Weak, and the band went on a mini tour in Europe, where they played 13 shows in front of 20 000 people, needless to say, it was a huge success.
Next: summer festivals, including Wacken Open Air, Rock Machina to name a few, then the release of a live album : The Tokyo Showdown, in August, before heading over to the US for another tour.
What next? well, another record was made, this time at a new location with a new producer: Dug-Out studios with Daniel Bergstrand. The band wanted to go elsewhere and try on a different studio and producer. Reroute To Remain was produced, and the the result was amazing. More touring, headline spins, support spins were done. Including raveling with the likes of Slipknot, Mudvayne, Soulfly and Slayer, that gave them the possibility to share their music with a different audience! Two headline spins in the US, one in Europe, festivals, including replacing Linkin park at Sweden's biggest festival: Hultsfred.
The day after that show they were offered to do a support slot for Metallica in Madrid, which was a huge success, playing in front of 30.000 people, making it the biggest show so far , that was not a festival.
The making of soundtrack to your escape started in may 2003 when they rented a small house in Denmark to do pre-production. The idea to do this came very natural as they had started working like this on the last record, but this time they wanted to go even further away from Sweden, to prevent any kinds of distractions. The result was 11 songs, and then two more followed as they went into another recording process, although this time they moved all their gear and Daniel Bergstrands studio equipment into a larger house in Denmark to do the recording ina much more relaxed atmosphere. Only the druns where recorded at Dug-Out as the previous record, but the producers were the same: Daniel Bergstrand and Örjan Örnkloo.. which brings us up to date, where a large tour is on it´s way, taking the band once again all over the world, trying to spread the In Flames word around !
Today´s line-up is:
Björn Gelotte - Guitars
Daniel Svensson - Drums
Peter Iwers - Bassguitar
Jesper Strömblad - Guitars
Anders Fridén - Vocals
Trivium
Matt Heafy - Lead Vocals, Guitar
Corey Beaulieu - Guitars, Vocals
Travis Smith - Drums
Paolo Gregoletto - Bass, Vocals
Talent and charisma are key ingredients for any professional musician, but without dedication and perseverance, many bands quickly fade to black. Then there are those like Orlando, Florida band Trivium, who are so determined, their behavior borders on insanity.
The day before Hurricane Charlie decimated Florida, Trivium were playing the Masquerade in Atlanta. While they knew they were up against their own Perfect Storm, they decided not cancel the next night's show in their hometown. "We drove a van with a trailer right through the eye of the hurricane," 18 year old singer and guitarist Matt Heafy says. "[Drummer] Travis [Smith] drove the whole way and he was like Tom Cruise in ' Mission: Impossible' or something. He just kept going and we made it for the show." Showing his dedication Heafy says "we all live for this band. We wake up, practice a little bit on our own and then go to band practice and play for hours and hours. That's all we do, and all we want to do for the rest of our lives."
The same type of dedication and youthful exuberance goes into the band's music. Ascendancy, the group's second album, their first on Roadrunner Records, is filled with carefully crafted songs that surge with energy, passion and originality. Like their solid 2003 debut Ember To Inferno, Ascendancy is rooted in '80s and 90's thrash, recalling the glory days of Metallica, Slayer, Pantera and Testament. Matt Heafy - Lead Vocals, Guitar
- Corey Beaulieu - Guitars, Vocals
- Travis Smith - Drums
- Paolo Gregoletto - Bass, Vocals
Click names for individual bios.
Band
Talent and charisma are key ingredients for any professional musician, but without dedication and perseverance, many bands quickly fade to black. Then there are those like Orlando, Florida band Trivium, who are so determined, their behavior borders on insanity.
The day before Hurricane Charlie decimated Florida, Trivium were playing the Masquerade in Atlanta. While they knew they were up against their own Perfect Storm, they decided not cancel the next night's show in their hometown. "We drove a van with a trailer right through the eye of the hurricane," 18 year old singer and guitarist Matt Heafy says. "[Drummer] Travis [Smith] drove the whole way and he was like Tom Cruise in ' Mission: Impossible' or something. He just kept going and we made it for the show." Showing his dedication Heafy says "we all live for this band. We wake up, practice a little bit on our own and then go to band practice and play for hours and hours. That's all we do, and all we want to do for the rest of our lives."
The same type of dedication and youthful exuberance goes into the band's music. Ascendancy, the group's second album, their first on Roadrunner Records, is filled with carefully crafted songs that surge with energy, passion and originality. Like their solid 2003 debut Ember To Inferno, Ascendancy is rooted in '80s and 90's thrash, recalling the glory days of Metallica, Slayer, Pantera and Testament. But, the new disc doesn't stop there, incorporating aspects of melodic death metal and even prog-rock. Twin guitar harmonies and point/counterpoint dynamics abound, twisting around vocals that alternate from melodic and pained to caustic and full of rage. "We had so much more to work with this time," says Heafy of the Jason Suecof-produced disc. "I had great guitar sounds, Travis is playing like a machine and the vocals are so much more multi-dimensional."
While the first album, lyrically, addressed romantic disillusionment and child abuse, this time the songs confront spousal abuse, suicide, depression, tyranny and freedom of speech. However, even at his most poignant, Heafy prefers expressing gut emotion to preaching. "I've found that when you have a negative aspect in your life, you can find so much negativity in other people's lives around you, and in the world. For me, it's good to write about the negativity to get some of it out of my system."
Trivium formed in 2000 after the band's original singer saw Heafy perform the Offspring's "Self Esteem" with a drummer at his high school talent show. The band members chose the name Trivium, which is Latin for the intersection between the three schools of learning: grammar, rhetoric and logic, because they liked the way it implied an open-mindedness to different styles, and summed up their musical aesthetic. After a couple of gigs at parties, the original singer quit the band and Heafy took the wheel. For the next two years, the band honed its sound, and in 2002 Heafy won the Best Metal Guitarist Award at the Orlando Metal Awards. Trivium headed into the studio in the beginning of 2003 to record their first high-quality demo disc. From this, German label Lifeforce signed Trivium and sent the band into the studio to record Ember To Inferno.
After going through various lineups, the band finally found guitarist Corey Beaulieu, who compliments Heafy's precision playing with solid riffs that help anchor the songs. Landing a bassist was even more difficult. Numerous players came and went before Paolo Gregoletto, who has jammed with Iron Maiden drummer Nicko McBrain, was brought in just in time for the tour with Machine Head. Feeling so strongly about the group, their music and their dedication to their craft, Paolo left another group to be a part of Trivium.
By July 2004, Trivium had 80 percent of the material for Ascendancy written and fine-tuned. Then in September, the band headed into Audiohammer and Morrisound Studios with Suecof, where they recorded the songs. As much as Trivium enjoyed their studio experience, they're happiest on the road. In the past year they've embarked on tours with Machine Head and Iced Earth as well as played dates with Killswitch Engage, Fear Factory and others, and won over new fans with every show. "What's cool about a tour is every night's a party," Heafy says. "It's not always because everyone's drinking, but people are getting along well and hanging out. The energy from the crowds is amazing."
With their second album finished and on the shelf, Trivium look forward to spending most of the year on the road -- which doesn't mean they're not constantly working on new material.
Corey Beaulieu - Guitars, Vocals
Travis Smith - Drums
Paolo Gregoletto - Bass, Vocals
Talent and charisma are key ingredients for any professional musician, but without dedication and perseverance, many bands quickly fade to black. Then there are those like Orlando, Florida band Trivium, who are so determined, their behavior borders on insanity.
The day before Hurricane Charlie decimated Florida, Trivium were playing the Masquerade in Atlanta. While they knew they were up against their own Perfect Storm, they decided not cancel the next night's show in their hometown. "We drove a van with a trailer right through the eye of the hurricane," 18 year old singer and guitarist Matt Heafy says. "[Drummer] Travis [Smith] drove the whole way and he was like Tom Cruise in ' Mission: Impossible' or something. He just kept going and we made it for the show." Showing his dedication Heafy says "we all live for this band. We wake up, practice a little bit on our own and then go to band practice and play for hours and hours. That's all we do, and all we want to do for the rest of our lives."
The same type of dedication and youthful exuberance goes into the band's music. Ascendancy, the group's second album, their first on Roadrunner Records, is filled with carefully crafted songs that surge with energy, passion and originality. Like their solid 2003 debut Ember To Inferno, Ascendancy is rooted in '80s and 90's thrash, recalling the glory days of Metallica, Slayer, Pantera and Testament. Matt Heafy - Lead Vocals, Guitar
- Corey Beaulieu - Guitars, Vocals
- Travis Smith - Drums
- Paolo Gregoletto - Bass, Vocals
Click names for individual bios.
Band
Talent and charisma are key ingredients for any professional musician, but without dedication and perseverance, many bands quickly fade to black. Then there are those like Orlando, Florida band Trivium, who are so determined, their behavior borders on insanity.
The day before Hurricane Charlie decimated Florida, Trivium were playing the Masquerade in Atlanta. While they knew they were up against their own Perfect Storm, they decided not cancel the next night's show in their hometown. "We drove a van with a trailer right through the eye of the hurricane," 18 year old singer and guitarist Matt Heafy says. "[Drummer] Travis [Smith] drove the whole way and he was like Tom Cruise in ' Mission: Impossible' or something. He just kept going and we made it for the show." Showing his dedication Heafy says "we all live for this band. We wake up, practice a little bit on our own and then go to band practice and play for hours and hours. That's all we do, and all we want to do for the rest of our lives."
The same type of dedication and youthful exuberance goes into the band's music. Ascendancy, the group's second album, their first on Roadrunner Records, is filled with carefully crafted songs that surge with energy, passion and originality. Like their solid 2003 debut Ember To Inferno, Ascendancy is rooted in '80s and 90's thrash, recalling the glory days of Metallica, Slayer, Pantera and Testament. But, the new disc doesn't stop there, incorporating aspects of melodic death metal and even prog-rock. Twin guitar harmonies and point/counterpoint dynamics abound, twisting around vocals that alternate from melodic and pained to caustic and full of rage. "We had so much more to work with this time," says Heafy of the Jason Suecof-produced disc. "I had great guitar sounds, Travis is playing like a machine and the vocals are so much more multi-dimensional."
While the first album, lyrically, addressed romantic disillusionment and child abuse, this time the songs confront spousal abuse, suicide, depression, tyranny and freedom of speech. However, even at his most poignant, Heafy prefers expressing gut emotion to preaching. "I've found that when you have a negative aspect in your life, you can find so much negativity in other people's lives around you, and in the world. For me, it's good to write about the negativity to get some of it out of my system."
Trivium formed in 2000 after the band's original singer saw Heafy perform the Offspring's "Self Esteem" with a drummer at his high school talent show. The band members chose the name Trivium, which is Latin for the intersection between the three schools of learning: grammar, rhetoric and logic, because they liked the way it implied an open-mindedness to different styles, and summed up their musical aesthetic. After a couple of gigs at parties, the original singer quit the band and Heafy took the wheel. For the next two years, the band honed its sound, and in 2002 Heafy won the Best Metal Guitarist Award at the Orlando Metal Awards. Trivium headed into the studio in the beginning of 2003 to record their first high-quality demo disc. From this, German label Lifeforce signed Trivium and sent the band into the studio to record Ember To Inferno.
After going through various lineups, the band finally found guitarist Corey Beaulieu, who compliments Heafy's precision playing with solid riffs that help anchor the songs. Landing a bassist was even more difficult. Numerous players came and went before Paolo Gregoletto, who has jammed with Iron Maiden drummer Nicko McBrain, was brought in just in time for the tour with Machine Head. Feeling so strongly about the group, their music and their dedication to their craft, Paolo left another group to be a part of Trivium.
By July 2004, Trivium had 80 percent of the material for Ascendancy written and fine-tuned. Then in September, the band headed into Audiohammer and Morrisound Studios with Suecof, where they recorded the songs. As much as Trivium enjoyed their studio experience, they're happiest on the road. In the past year they've embarked on tours with Machine Head and Iced Earth as well as played dates with Killswitch Engage, Fear Factory and others, and won over new fans with every show. "What's cool about a tour is every night's a party," Heafy says. "It's not always because everyone's drinking, but people are getting along well and hanging out. The energy from the crowds is amazing."
With their second album finished and on the shelf, Trivium look forward to spending most of the year on the road -- which doesn't mean they're not constantly working on new material.
Veil of Maya
The Chicago based VEIL OF MAYA encompasses the good old American blue collar work ethic and have definitely taken the hard road to success grinding it out on the road through countless tours over the years, but now that backbreaking schedule is paying off tenfold. This quartet are one of the few very bands that can authentically mix elements of progressive metal, melodic death metal, thrash and hardcore brutality together effectively, all while keeping the listener constantly interested with baited breath wondering just what is coming next. This is exactly why they will have a career for years to come.
VEIL OF MAYA's dynamic second full-length album, id, was met with rave reviews and quickly caught the attention of the underground with it's refreshing and unique approach.
VEIL OF MAYA's dynamic second full-length album, id, was met with rave reviews and quickly caught the attention of the underground with it's refreshing and unique approach.
Kyng
KYNG the southern California hard rock trio, originated in January of 2008 in Los Angeles. Singer/songwriter Eddie Veliz bassist, Tony Castaneda and drummer Pepe Clarke Magana, after years of working off and on with each other on various projects, decided to propagate the idea of a band that would closer fulfill their musical desires. Within months of sessioning the three were sold on the chemistry and shortly after that went into the studio to record their debut album. The sound they realized was exactly what they had sought after, a unique and universally appealing combination of heavy and captivating concepts, channeling influences from black Sabbath, Led Zeppelin to the Foo Fighters and Queens of the Stone Age. "We wanted a band that could stand alongside anything in the scene, have the ability to crossover seamlessly and still bridge who we are.” KYNG’s versatile approach of a sweet devastation bleeds from an artistic drive toward a momentum described as "California Heavy". Their evolution will undoubtedly blaze a trail that redefines what is expected and defines the giants they will become.
Their first album, Trampled Sun, on REALID Records is set to hit the streets of the US and the World Wide Web September 27 while their first two singles, Falling Down and Trails in Veins, both mixed by Mike Watts (Adelita’s Way, Hopesfall, Quicksand, Brand New), are set to take over the airwaves and online channels mid July and will be available at iTunes July 26th. The digital deluxe of Trampled Sun will contain 15 tracks exemplifying the bands great range and how much music KYNG has to offer the planet earth.
The Los Angeles based trio, hailing from LA and parts of Mexico, is as unique in spirit as their sound. Reminiscent at times of the metal and hard rock of the late 1970’s in style and musical collection, with a presentation that is totally heavy, classic and modern-day all at once, they are sure to refresh the Active Rock and Metal landscapes of today and tomorrow. As drummer Pepe Clarke Magaña puts it, “I think we’re doing stuff, or a combination of stuff that has been done before, in a way it’s never been done before.” Their sound on Trampled Sun easily provokes the question, “Is that really just 3 dudes?” The pipes on Eddie Veliz reminiscent of Cornell is his early days, the thunder brought by Pepe Clarke Magaña on the drums and the rolling rhythms brought by bassist Tony Castañeda have KYNG meant for great things.
Completing dates with The Sword, KYNG is currently out with Black Stone Cherry and Pop Evil and plan on touring forever as the road is the life’s blood of any young hard rock band looking to take over the world. In the land of pigs, the butcher is KYNG.
Their first album, Trampled Sun, on REALID Records is set to hit the streets of the US and the World Wide Web September 27 while their first two singles, Falling Down and Trails in Veins, both mixed by Mike Watts (Adelita’s Way, Hopesfall, Quicksand, Brand New), are set to take over the airwaves and online channels mid July and will be available at iTunes July 26th. The digital deluxe of Trampled Sun will contain 15 tracks exemplifying the bands great range and how much music KYNG has to offer the planet earth.
The Los Angeles based trio, hailing from LA and parts of Mexico, is as unique in spirit as their sound. Reminiscent at times of the metal and hard rock of the late 1970’s in style and musical collection, with a presentation that is totally heavy, classic and modern-day all at once, they are sure to refresh the Active Rock and Metal landscapes of today and tomorrow. As drummer Pepe Clarke Magaña puts it, “I think we’re doing stuff, or a combination of stuff that has been done before, in a way it’s never been done before.” Their sound on Trampled Sun easily provokes the question, “Is that really just 3 dudes?” The pipes on Eddie Veliz reminiscent of Cornell is his early days, the thunder brought by Pepe Clarke Magaña on the drums and the rolling rhythms brought by bassist Tony Castañeda have KYNG meant for great things.
Completing dates with The Sword, KYNG is currently out with Black Stone Cherry and Pop Evil and plan on touring forever as the road is the life’s blood of any young hard rock band looking to take over the world. In the land of pigs, the butcher is KYNG.
Venue Information:
Emo's East
2015 East Riverside Drive
Austin, TX, 78741
Emo's East
2015 East Riverside Drive
Austin, TX, 78741